As Dilip Kumar turns 98 on December 11, Subhash K Jha brings us some lesser known facts about the thespian.
Pancham, like his father, was besotted by Lata Mangeshkar's voice and his career's finest songs were reserved only for her.
Ahead of Bollywood's big fat Punjabi wedding, Namrata Thakker looks at other Bollywood celebrities who hosted their nuptials in Mumbai.
Jaya said she is in Bengal to campaign for the Trinamool Congress as per instructions of her party president Akhilesh Yadav, who has extended support to Mamata Banerjee in the polls.
'The Ek Do Teen star struggled with a problem skin all through her reign as numero uno.' 'And yet acne never got into the way of her incredible success.' All this and more in Sukanya Verma's Super Filmi Week.
Hrishida's Abhimaan captured the real life pair Jaya and Amitabh Bachchan's dazzling chemistry in the many stages of the husband-wife relationship, observes Sukanya Verma.
'I have the love of the audience for the last 60 years.' 'I am very greedy in this matter.' 'I want those who love me to continue doing so.'
Ross and Rachel end their super long break. Kate Winslet solves Easttown's grimmest mystery. Huma Qureshi gets political in Bihar. All this and more on OTT this week notes Sukanya Verma.
There are so many female-oriented movies, from Mother India to Arth to Pink. But there are some absolute gems that never got their due.
'It didn't matter to him if he was not the focus of attention in a film.'
Amitabh Bachchan was preparing to pack up his bags and return to Allahabad if Zanjeer failed.
If fate had willed, Alia Bhatt's first movie co-star would have been Aditya Narayan, singer Udit Narayan's talented son.
'A simple boy from Gurdaspur, whom I caught glimpses of when he was sitting alone in his penthouse, reflecting on life and how far he had come.'
On Hrishikesh Mukherjee's 91st birth anniversary on September 30, we bring back a Rediff Special done on the brilliant filmmaker in December 2002.
'When Gabbar Singh says 'Kitne aadmi they,' visitors can deliver the dialogue that follows: 'Do sarkar.'' The Sholay magic might just come alive in this 3D virtual reality village.
Using snatches of a cult favourite or evergreen classic in its original form for action, comedy or romance can transform the entire vibe of a scene.
'To keep laughing is the most important thing in life.'
Apart from the super stardom, there is something else common between Priyanka and Deepika.
Will Varun Dhawan's Coolie No 1 be a bigger hit than Govinda's hilarious original?
'Hrishi-da often voiced his disenchantment with Bachchan's Angry Young Man persona -- the 'maara-maari', the growth of sidelocks; he even said directors were killing Amitabh the actor and turning him into a stuntman. Yet, as Jaya Bhaduri jovially pointed out, the seeds of that seething persona can be found in Anand and Namak Haraam.'
Amitabh: "There is a very famous limerick that aptly describes my presence tonight, ladies and gentleman: A funny young man from Clyde In a funeral carriage was spied; When asked, "Who is dead?" He giggled and said, "I don't know; I just came for the ride."
The actress has been cast in Onir's forthcoming film Shab.
The top posts on social media from your favourite Bollywood celebrities.
Subhash K Jha looks at actresses who dared play Momma at the risk of getting typecast.
Had he not taken his final curtain call on April 23, 1992, Satyajit Ray would still, undoubtedly, have been making movies.
Rediff.com celebrates 40 years of the beloved movie classic.
Terming the demolition of some structures in her flat in Bhopal as "attempts by the UPA government to tarnish the image of the Bachchan family," Indira Bhaduri, alleged that the Bharatiya Janata Party government in MP has also joined in conspiracy.
How did a superstar provoke the break-up? 50 years later, the truth can finally be told. A revealing excerpt from Hanif Zaveri and Sumant Batra's An Actor's Actor: An Authorized Biography of Sanjeev Kumar.
Teatime enjoys a special place in Hindi films.
Sukanya Verma looks at the many, many reasons for marital discord reported in Hindi movies.
Sukanya Verma looks at the wide-eyed dolly's presence in our movies.
'I joined Hrishida when I was 17.' 'He left me with a lifetime of memories.'
'The critics were writing so well about me, I was shocked!' 'My phone didn't stop ringing!' 'This is the biggest tribute for a senior actor.' 'Now, I can pack up.'
Dharmendra was fascinated by Gabbar's role, then he said he would like to play Thakur. 'I told him he won't get Hema Malini.' 'He laughed and said okay (to play Veeru).'
As often is the case on celluloid, romanticising death is as significant as making every moment count where a young life's passing makes the realisation all the more heartbreaking and momentous.
Pran lived a full life, entertaining and scaring the hell out of many people, writes Aseem Chhabra, in his tribute to the legendary actor who passed away on July 12.
As means of transport or metaphor, the romance of trains is unmistakable in Hindi cinema.
Is Mumbai done with shared lives and overshared living spaces?
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